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Where are the heroes for boys to emulate?

Marshal Matt Dillon, Captain James T. Kirk, James West, Napoleon Solo, Steve McGarrett, and the Cartwrights, were some of my heroes as a boy. Maybe they were some of yours too if you grew up in my era. But as I survey the current times , I have to ask: Where are the heroes for boys to emulate?

James Arness at Marshal Matt Dillon

As a typical American boy , who still happens to be black, I grew up watching these fictional men of action and no, I did not feel slighted because they didn’t look like me (sorry, liberals). These characters gave kids like me a sense of escapism and,I guess, confidence. Why ? We knew our heroes would win by the end of an episode.

William Shatner as Captain James T. Kirk

Kids need that sense of security in their formative years that good always triumphs over evil. Having this innocent certainty informs their worldview and contributes to their sense of right and wrong. This is just as true now as 50-60 years ago.

Jack Lord as Steve McGarrett

Many boys in this era grew up imitating their favorite tv hero. It was nice as a boy or teenager to always have that question in the back of mind: “What would Marshal Dillon do?” “How would Captain Kirk handle this situation?” Maybe it sounds a little funny, but you get the idea.

The message to young boys and men in those older shows was an important one: one man can make a difference. That was true on fictional television and was once widely believed in America.

Robert Vaughn as Napoleon Solo

Prime time tv shows certainly do not feature heroic masculine lead characters, nor any adventurous escapism. Viewers are watching shows featuring “modern” situations, featuring ensemble casts where men are clearly not the masculine archetypes of yesteryear.

In the last 25 years ,the only masculine alpha-males featured as lead protagonists are antiheroes in shows such as Breaking Bad, Dexter, Sons of Anarchy, The Sopranos. That’s right , drug dealers, serial killers, outlaw bikers and mafia wise guys: certainly not role models.

What’s the commonality of these antiheroes? That’s right, they’re all white males. Coincidence? You tell me.

Robert Conrad as James West

Since the dawn of time, boys and young men thrilled to epic tales of courage, sacrifice and heroism. The adventures of mythological icons such as Odysseus , Gilgamesh, Hercules, King Arthur were passed down orally from generation to generation. As time passed these chronicles were printed, inspiring the creation of contemporary heroes

Here’s a timeless fact that will always exist despite leftists’ efforts to deny: boys will have to face bullies, fathers sometimes have to spank their sons and men must be ready to defend their families. These were accepted norms in society until leftists changed the meaning of bullies to anyone who criticizes their protected classes .

I never wanted to be that guy saying ” Well , back in my day,” but I guess I have to be. Changing times have always sparked that classic lament, however the era in which we are living is not only different, but an existential threat to America. In the past, there were never forces so rabid in their attacks on masculinity, femininity , the traditional family , timeless values and even truth, as the era we find ourselves in.

So where are the heroes for boys to emulate? Maybe it’s time we stopped sneering at the old ideals and started asking what we lost when we replaced honor with cynicism, discipline with entitlement, and heroism with nihilism. Boys still need to dream, to believe, to emulate men who stand tall in the face of evil and do what’s right simply because it’s right. If our culture won’t provide them with such examples, then it’s up to us—to fathers, mentors, teachers, and yes, even storytellers—to revive those stories and reintroduce a new generation to timeless truths. Because in the end, a nation without heroes is a nation without a future.

“The Cartwrights” of Bonanza (From L-R: Pernell Roberts, Michael Landon, Lorne Greene and Dan Blocker)

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The sound of gnashing

For a movie that is packing audiences in for each showing , the sound of gnashing teeth from mainstream movie critics is voluminous

Sound of Freedom packs a gut punch regarding the evil of child trafficking.

Not exactly the mindless popcorn faire of your average summer blockbuster , but in a year of flops from the major studios, this independent studio movie is a bona-fide hit. The film is gripping, sad and sometimes,horrifying, but delivers a powerful message of hope.

Yet mainstream critics are, in unison, dissing the film as right-wing conspiracy fodder. Take a look of some of the headlines I found.

” Christian thriller ‘Sound of Freedom’ faces criticism for stoking conspiracy theories” said one NPR headline. The Guardian’s breathless headline? “Sound of Freedom: the QAnon-adjacent thriller seducing America.” But my favorite is this doozy from Rolling Stone (drum roll): “‘Sound Of Freedom’ Is a Superhero Movie for Dads With Brainworms.”

Nearly every column I researched featured the right wing buzzwords “QAnon”and “conspiracy ” in attempts to denigrate the film and discourage people from seeing it. Spotting the same terms in different mainstream criticisms is either a remarkable coincidence or the sign of an organized campaign.

The good news is it’s not working. I saw the Sound of Freedom during a Sunday Matinee and the theater was packed. I managed to snag one of the last two remaining seats.

People are seeing this movie because it’s a powerful film that shines a light on very real and contemporary evil. Director Alejandro Monteverde masterfully handled the disturbing scenes of abuse without graphic depiction , but allowing your mind to fill in the rest of what’s implied.

From Left to Right: Jim Caviezel, Javier Godino, and Bill Camp

Skillfully woven in the subject is the inspiring heroism of former federal agent, Tim Ballard whose Christian faith leads him to do more than he ever thought possible. This is summed up in two powerful lines uttered in the film, “God’s children are not for sale,” and ” When God tells you what to do, you cannot hesitate.”

When remembering these quotes, it no wonder critics are antagonistic. Mentioning God in a glorifying manner, in a popular movie, almost always causes the sound of gnashing from the left.

How these critics could attempt to deter people from experiencing this film, speaks volumes about the fake and compromised media and Hollywood. I believe this vitriol stems from one of four reasons. 1)These critics are either so blinded by their politics that anything Christian or conservative is automatically viewed as sinister; 2)They’re following orders from higher ups (in either Hollywood or government) to bash the movie; 3) They have no problem with the subject because it hits too close to home or the industry; 4) It’s a combination of the previous three explanations.

Where are the stars doing their tick-tock or Twitter videos supporting this film and bringing awareness like they did with “Times-up/Me Too” or Covid?

Oh, that’s right, there’s a writers’ and actors’ strike. It’s likely even if those events weren’t happening we would still hear crickets, or perhaps more sounds of gnashing.

An interesting fact is this movie was actually completed five years ago. God’s timing is amazing when one considers the movie’s release amid the revelations of government corruption. As written in my last piece, I believe God is revealing the level of evil we face so that we can see that only He can fight this battle. He does so, partly through us, when we are obedient in faith.

In the post credits , actor Jim Caviezel remarks of the filmmakers’ hope that this movie would have the power of Uncle Tom’s Cabin which sparked the beginning of the end of slavery. May this film have an equal impact, marking the beginning of the end of human trafficking.

In another era, such an underdog of a movie would be the stuff of Hollywood legend. Just shows how much times have changed.